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・ Fernando Sena
・ Fernando Sendra
・ Fernando Seoane
・ Fernando Serena
・ Fernando Serrano
・ Fernando Silva
・ Fernando Silva (chess player)
・ Fernando Silva (footballer, born 1977)
・ Fernando Silva (swimmer)
・ Fernando Silva dos Santos
・ Fernando Silva Santisteban
・ Fernando Siro
・ Fernando Smith
・ Fernando Solabarrieta
・ Fernando Solana
Fernando Solanas
・ Fernando Soledade
・ Fernando Soler
・ Fernando Solis
・ Fernando Solís Núñez
・ Fernando Sor
・ Fernando Soriano
・ Fernando Sorrentino
・ Fernando Suarez
・ Fernando Suarez del Solar
・ Fernando Sucre
・ Fernando Suárez (footballer)
・ Fernando Sylvan
・ Fernando Sáenz Lacalle
・ Fernando Sánchez


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Fernando Solanas : ウィキペディア英語版
Fernando Solanas

Fernando Ezequiel 'Pino' Solanas (born 16 February 1936) is an Argentine film director, screenwriter and politician. His films include ''La hora de los hornos'' (1968), ''Tangos: el exilio de Gardel'' (1985), ''Sur'' (1988), ''El viaje'' (1992), ''La nube'' (1998) and ''Memorias del saqueo'' (2004), among many others.
Solanas studied theatre, music and law. In 1962, he directed his first short feature ''Seguir andando'' and in 1968 he covertly produced and directed his first long feature film ''La Hora de los Hornos'', a documentary on neo-colonialism and violence in Latin America. The film won several international awards and was screened around the world. Solanas has won the Special Jury Award and the Critics Award at the Venice Film Festival and the ''Prix de la mise en scène'' at the Cannes Film Festival. In 1999 he was the President of the Jury at the 21st Moscow International Film Festival.〔(【引用サイトリンク】title=21st Moscow International Film Festival (1999) )〕 He was awarded a special Golden Bear at the 2004 Berlin Film Festival. He collaborated with tango composer and musician Ástor Piazzolla on the soundtracks for various movies.
==Context==
Solanas was at the forefront of the ''Grupo Cine Liberación'' that shook Argentine cinema in the 1970s, developing its social conscience and political voice. He was active in the campaign to support Perón. Threatened by right-wing forces in the 1970s, one of his actors was assassinated and he himself was almost kidnapped.
Together with Octavio Getino, Solanas wrote the manifesto "Toward a Third Cinema". The Idea of a political Third Cinema, opposed to Hollywood Cinema and European Auteur cinema, inspired film makers in many so-called developing countries.
Solanas went into exile in Paris in 1976, only returning to Argentina with the arrival of democracy in 1983.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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